Showing posts with label Buddhism. Show all posts
Showing posts with label Buddhism. Show all posts

Saturday, November 29, 2008

Chapter 7: The Middle Way - Awakening


In 1996 my (then) wife Michele and I sponsored a series of Buddhist talks at the Ethical Culture Society center in Teaneck, NJ. The previous year, Michele lost her mother to cancer, a prolonged and painful ordeal for both of us, and that experience sparked our commitment to being proactive Buddhists.


At that time I was often traveling to Singapore and Malaysia on business and was spending countless hours in airplanes. At a bookstore in Singapore I picked up an introductory book on Buddhism by an Indian author and devoured it cover to cover during the flight home. Hungry for more, I started reading book after book, from Suzuki to Thurman to Deshung Rinpoche to the Dalai Lama.

In my quest to understand the process of death and dying from a Buddhist point of view and to make sense of my mother-in-law’s passing and my own mortality (I was hospitalized for a week on the eve of my 40th birthday, diagnosed with sarcoidosis), I read “The Tibetan Book of the Dead”. Although it didn’t make much sense at the time, I found it a mystical and fascinating read. It was as though a huge gate had opened, engulfing my consciousness in blinding light, illuminating and expanding my perception of what it means to be Buddhist.


Michele and I invited many speakers to take part in our Dharma Talk series. Amongst them were Reverend Nakagaki, Lama Pema Wangdak, Geshe Lozang Jamsphel, Geshe Michael Roach, and Roshi Pat Enkyo Ohara.

In 1996 I met Geshe Michael Roach, a monk, and Ani Pelma, a nun, through the dharma talks. Michele contacted many Buddhist organizations in New York City, literally going through the Manhattan Yellow Pages, asking for referrals for speakers from Buddhist temples and organizations. She was single-minded and undeterred in her mission, and we were surprised at how open and friendly the people were we contacted. It didn't take long to fill 6 slots, scheduled every 2 weeks, for the Spring.

With little beyond word of mouth and a tiny text ad in our local newspaper, the Bergen Record, we launched our Buddhist Talks. We didn't care how many people showed up and didn't ask for donations or support. We just wanted to do something interesting and, hopefully, inspiring and helpful for others. I didn't realize it would be us who would be inspired.

Geshe Roach was our first invited speaker. He was the director of an organization called the Asian Classics Institute (which I'd never heard of previously), headquartered at the time on the lower east-side of Manhattan. He was trained in Tibetan Buddhism in the Gelugpa sect, the Dalai Lama's sect, one of four in Tibet (Gelug, Sakya, Kagyu, Nyingma). Before meeting Geshe-la (the "la" is added with endearment), I had no previous exposure to Tibetan Buddhism. I grew up in my family's Japanese sect of Jodo Shinshu Buddhism.

Geshe Roach's talk was on the subject of karma. As he began his lecture it was apparent to me that this was someone who grew up in America, for his dialogue was suffused with colloquialisms and examples peculiar to American culture. I could immediately relate to him, which made his teaching all the more meaningful and significant for me.

His discourse on karma was circuitous and meant to make an impact. I remember Geshe Roach asking why it was that there were two close friends involved in a car accident where one was decapitated and the other survived with hardly a scratch. "Why?" he asked. "Why is it one met a horrible, sudden end, and the other walked away unscathed?" We all sat dumbfounded, stunned by the strong image conjured in our minds.

Quite coincidentally, a man who worked for my father, Leonard Gizzi, in his early 30s, was decapitated in a car accident while driving to work one morning in the mid-1970s, on his way to my father's office. That thought shot through my brain like a lightning bolt, stinging my spine. It was a terrible, untimely death, but no one for an instant doubted its randomness or its unfairness. Lenny was an impish, quiet, noticeably shy, and thoughtful young man who was well-liked by all. He was a hard worker who never complained, and my dad was very saddened by his passing. As was I.

Geshe Roach scanned the room and stared right through each of us. "Don't you see?" he implored. "It was their karma. Their individual karma was the cause of the accident, of one's almost instant, gruesome end, and the other's having to live with the nightmare of surviving it. Their deeds of this or a past life led them to this inextricable moment in time."

For the next hour Geshe Roach went on to explain the many flavors and degrees of karma, its components and contributing causes, its mysteriousness, and the fact that only a completely enlightened Buddha could completely fathom its inner workings.

I was absolutely mesmerized.

For all the years in my youth I had attended the New York Buddhist Church with my parents and brother, I had never heard karma explained so thoroughly by any Reverend. This was a complete and satisfying explanation that spawned as many questions as it answered. But for that ninety minutes something inside of my mind expanded.

For the first time, I was hearing the dharma.

Some time after meeting Geshe Roach, I started attending dharma classes he taught on the lower East side of Manhattan. Those early classes were taught in a student's loft space, decorated with beautiful hanging Thangka paintings and Buddha statues.

At some point, I started videotaping the classes with Geshe Roach's permission. All of his classes were audiotaped on cassette and later assembled into an archive. In fact, the Asian Classics Institute produced an entire series of courses for Buddhist home studies that were distributed to lay people, including prison inmates. Payment was based on one's ability to pay. The studies focused on the texts and topics Buddhist monks were taught to attain the geshe degree, awarded to monastics at the conclusion of a full course of studies. These classes are now online on the website of the
Asian Classics Institute, free to anyone who desires to study the dharma.

As I videotaped the classes, the idea for a documentary started to take shape. The classes were filled with American converts who, like me, were being instructed in what I would consider orthodox and very pure Buddhist teachings, fundamental courses on morality, ethics, and that most fascinating topic, emptiness. The name for this documentary is "The Lotus in the New World: Buddhism in America"

In Buddhism, "The Three Jewels" refer to the trinity of the Buddha, his teachings, the dharma, and the monastic community of spiritual friends, the sangha. The Three Jewels was also the name of a small store on the lower east side of Manhattan where Geshe Roach taught many of his early classes. The location gradually evolved from a tea house to a bookstore and gift shop to a meditation and community center.

The store was originally run by a nun, Ani Pelma, who was part of a Gelugpa monastic order of nuns and monks ordained by Khen Rinpoche (Sermey Khensur Rinpoche Geshe Lobsang Tharchin), Geshe Roach's root teacher. At the time, Khen Rinpoche was the abbot of Rashi Gempil Ling Temple, a Mongolian Buddhist temple, in New Jersey.

As I continued to videotape dharma classes at night and on weekends, I became acquainted with many of the American dharma students, nuns and monks. Through the original Dharma Talks series in New Jersey, I met Lisa Hochman who had a background as a PBS television producer. Lisa was of immense help in the early stages of planning and filming this documentary; she possessed a piercing intelligence, was extroverted and immediately likeable, and had knowledge of many other dharma centers and scenes. She had been an eclectic Buddhist, originally a Jew who floated amongst many different Buddhist groups, teachers, and retreats.

Lisa accompanied me on many tapings and conducted the interviews while I did the lighting, worked the DV camera, and adjusted the sound levels. We discussed the general questions beforehand, but the discussions were free form and open ended. It was Lisa's idea to expand the interviews and include not only lay practitioners, but nuns and monks as well. We began to explore the reasons why individuals were choosing the path of Buddhism and monasticism.



Geshe Roach was instrumental in helping me to interview his root teacher, Khen Rinpoche, in New Jersey, perhaps the only documentary footage of this extraordinary Tibetan Buddhist lama, who achieved the highest geshe degree as a young monk.

While I was busy with Geshe Roach's dharma group, Michele pursued her dream of opening a dharma center in our New Jersey home with Lama Pema.

My own family was connected with the Jodo Shinshu sect of Pure Land Buddhism in Japan, and my ancestors had been Buddhist priests for over 28 generations, close to 700 years, in the prefecture of Fukui located northwest of Tokyo near the sea. Of course, this lineage was possible because in our sect the priests married and had families, and the eldest son inherited the church and was expected to become a priest.

My own father, Toshihiko Sakow, escaped this fate when he was left behind in his birthplace of Fukui with his second eldest brother, Fumihiko, when my grandparents traveled to America to do five years of missionary work. Dad was so misbehaved that his uncle, Reverend Sasaki, my grandmother's father, asked to send Toshihiko to the states to join his parents. Fumihiko was left behind, the Second World War trapped my family in a desert internment camp, and my father pursued his artist dreams as an industrial designer for Chrysler in Detroit after the war. My uncle had no choice but to carry on the family temple, and his first son, my cousin Fumiya, would be destined for priesthood. And so, my fate as the eldest son of an eldest son of a Japanese temple family forever changed the course of my own karma.

I grew up visiting my grandparents, who lived in a Buddhist Temple in Santa Barbara, California. Later as an adult, I traveled to Japan and visited my relatives in Fukui, who lived in the 300 year old Sakow temple, in the village of Sakow (actually, the "w" at the end of "Sakow" had been added by U.S. Immigrations; it should probably be spelled "Sako"). My cousin Hitoye was a teacher in the Sakow Elementary School in Fukui.

So this notion of having a temple in our home, while radical, was not something altogether alien and unfathomable to me. I supported this effort but was certainly unaware of what exactly this would entail.

Once again, through our Dharma Talks, Michele connected with a Buddhist monk of the Tibetan Buddhist Sakya sect, Lama Pema Wangdak who was very enthusiastic and open to her idea of starting a center. He extoled the great karma of doing this, the blessing of such an effort. We agreed, and the search was on to find an appropriate home.

We quickly found a small home with a large finished basement that would be perfect for our center. After we moved in, Lama Pema became a member of our household, and soon thereafter the exiled Tibetan community in New York City donated a beautiful bronze Buddha statue, handcrafted in Kathmandu, Nepal, to the temple. The following spring Lama Pema and Lama Kunga from Nepal consecrated the statue and the temple in a long, elaborate puja ceremony.

Classes have been held at our dharma center since 1998, and I am proud to be a supporter of this community.
Lama Pema has been a member of our household since that time and helped to raise our daughter Chloe. We love him deeply and respect his work.

I continue to work on the documentary.

Wednesday, November 19, 2008

Chapter 3: Edo Period Japan


Rows of Buddhist monks chanted sutras in rhythmic unison within the Jodo Shinshu temple. Their droning voices carried outside the massive wooden building through its rice paper windows, muffled by fresh snow on the dirt and cobblestone dusk streets of the tiny rural Japanese village of Fukui Prefecture on the northwest Honshu island.

A peasant woman in a snow-dusted, wide-brimmed straw hat and wooden geta, or clogs, silently deposited a dark ceramic urn filled with grains of rice on the temple's door step. She then bowed deeply, hands clasped, wrinkled eyes closed tightly, and muttered the Nembutsu prayer to herself as the droning voices continued, "Namu Amida Butsu."

Inside, the monks sat erect in lotus position in the near darkness, the pause between verses punctuated by short measured inhalations. Scores of bald shaved heads framed by jet black robes bowed in symmetrical rows before the candlelit golden shrine of Amida Buddha, the Enlightened One.

The Elder Priest kneeling at the head of the room raised a cylindrical ebony mallet and struck the cast iron temple bell several times. Its bellowing ring resonated through the chamber, through each narrow temple corridor, echoing endlessly through minds empty of thoughts, focused only on the Void within.

One monk, Hideo Sako, could not concentrate. His torso rocked gently back and forth, brow wrinkled with stress as his lips formed the syllables of rote prayer. Beyond tightly closed eyes he was crouched behind the wide trunk of an elm tree at a river's edge. Hugging the trunk, he pressed his head against the chalky bark, scraping his cheek as he edged his face out ever so slightly, straining for a view.

The Elder Priest rose slowly until he was standing. He gazed out at the rows of chanting monks, focusing on the orange-red dot painted on each forehead, studying them. Picking up his ebony mallet in one hand, he began walking down the aisle.

In Hideo's mind, sitting nude on a smooth flat rock in the rushing river currents was Kumiko, a beautiful village girl of fifteen. Hideo spied her as she wrung her hip-length ink black hair of water in her tiny hands, her knees slightly parted and dark pubic triangle in view. Kumiko's developing breasts were full and perfect, her round nipples pink and erect from the cold water, and her smooth, unblemished skin pale and milky.

Hideo breathed heavily and irregularly, gasping at her luscious female symmetry. Short moans escaped his lips. Sweat trickled down his furled brow as blood engorged and distended his pulsating male organ. He reached down inside his robe to free his manhood from his clothes.

Ripples of bright, undulating points of light flickered before Hideo's eyes as the back of his head took the full impact of the Elder Priest's swinging mallet. Blood trickled down his neck as he slumped over in his place unconscious, forehead touching the tatami mat floor.

The other monks continued their chanting, never missing a beat. The Elder Priest continued down the aisle.

Introduction


I am a Japanese-American, a third generation sansei born in 1956 in Detroit, Michigan -- the deteriorating urban sprawl in the heartland of America known colloquially by African Americans as "Motown", or by the Silent Majority as "Motor City", the birthplace of the modern factory assembly line, Rhythm and Blues, and once home of America's fallen and iconic auto industry.

I am the product of two parents of pure Japanese ancestry and amusingly think of myself as "Made in America with All Japanese Parts".

My paternal grandfather was a Buddhist priest of the Jodo Shinshu Pure Land sect, and my family have been Buddhist priests in Japan for 29 generations, over 700 years. My maternal grandparents are gone; my mother's mother died when she was barely a teenager, and her father, a destitute photographer, abandoned his wife and 7 children years earlier and never returned. To this day we don't know where he went.

As an American of Japanese ancestry I have straddled two cultures and two identities with vastly different points of view. My disconcerting ambivalences have forced me more than once to take The Middle Path, and in so doing I have developed a degree of subjective-objectivity (yes, this is possible, but totally schizoid), introspection, and insouciance. However, more often than not, in my youth I was left confused and undecided and in emotional disarray.

I have spent my entire life engaged in a process of self-definition and -examination in the search for the essence of who I am, where I came from, and where I am going.

To keep things interesting, I have combined memoir and fiction, imagining ancient ancestors whose stories were spoon-fed to me by relatives in bitesize morsels, enough to get the flavor and texture, but always leaving me hungry for more.

I believe that my story and the story of my family, though unique, is a universal story of the American Immigrant Experience -- that forging of an identity within the simmering ethnic melting pot of the New World, the gold paved mountain, skyscrapered metropolis, and idealized land of plenty that beats in the heart of every foreigner who longs for opportunity, riches, and freedom -- and the right to call themselves an American.

* * * * * * * * * *

I have a confession to make. In my haste to get off my butt and do something, damnit! I put up this blog/website and posted chapters that are not quite completed; I'm sure those of you who have read ahead will realize this. I apologize.

I've been working on this novel for over 20 years and have only 7 chapters to show for it. Those of you who are writers will understand. We all believe that writing our novel will happen when things are just right: when your kid has graduated high school and is away at college, when you retire and never have to work again, when you have a long break and can just sit down and do nothing but write till your keyboard explodes.

Writers procrastinate endlessly. The smallest excuse like, Geez, that LOST re-run I've seen 3 times is gonna be on again -- or -- God-dangit, my car does need a wash right now. Need I go on? So, having taken Buddhist impermanence to heart, I realized that I could be mowed down by a 40 foot semi at any time and then, by golly, no one would ever even know I was working on my opus novel.

Yes, I promise to complete those incomplete chapters. I will make them whole and they will sing like Caruso. I will make time. Because this matters.

Thank you for reading. If you're so inclined, please subscribe to stay tuned for future chapters -- if I ever get around to them (I will).

Your confidante on this voyage,
Bruce Hidemi Sakow